A skein of undyed handspun Clun Forest yarn.

Spinning Project Roundup

I confess I haven’t been knitting all that much lately. True, it’s summer in North Carolina, and some afternoons it’s just too hot to knit. But like many people in these COVID times, I haven’t been able to concentrate on the things that usually give me joy. I have, however, been doing a lot of spinning. There is something so fundamental about the rhythm of the spinning wheel (or spindle) that I have found comforting.

I’ve already written about my main Tour de Fleece project. I had a bit of time left after finishing my mini skeins, so I did some sampling on another Three Waters Farm colorway: Radicchio (also on the Polwarth/ silk base). I plan to use it for colorwork, but I wasn’t sure if I wanted a 2- or 3-ply yarn. So I took a third of the braid, which is one complete color sequence, and tried both a straight 2-ply and a chain-ply. I was pleasantly surprised that I managed to get the colors to line up so well in the 2-ply, and I like the way they reflect the light more than the chain-ply, so I think I will do the rest of the braid that way. First I want to swatch it to see if I’m happy with the length of the repeat.

Two small skeins of handspun yarn in shades of pink, turquoise and gold on a concrete and brick step.
Handspun Polwarth/ silk yarn from Three Waters Farm in colorway Radicchio. On the left is the straight 2-pym on the right the chain ply.

I’ve also completed my first Shave ‘Em to Save ‘Em project, which I shared on Instagram. I bought Clun Forest roving from Left Hand Wool Company – you may recall I got my hands on some Clun Forest x Corriedale awhile back (I wrote about it here), and I really wanted to see how it compared to 100% Clun Forest. This is also my first time spinning a Down-type breed (Clun Forest isn’t one of the true Down breeds, but it has similar characteristics). This roving had the same spongy, springy quality as the Corriedale cross I had spun, but it’s less soft. It’s not prickly, though, and I think it will do nicely as socks. I plied it with a high twist with that purpose in mind – so much so that the finished yarn is a bit wavy. I’m confident that it will knit up okay, though. I’m also thinking of dyeing it using walnuts or other natural dyes I have available.

A skein of undyed cream-colored Clun Forest yarn sits on a wood table.
The finished Clun Forest sock yarn.

Before starting the sock yarn, I also took a portion of the roving and spun it a bit thicker for my blanket project and knit it up into a hexagon. I’ve got 10 hexagons so far, representing 9 different sheep breeds (I’ve used Corriedale with two different natural dyes; the rest are undyed.) I figure I need at least 24 hexagon pieces to make a small blanket, so I need to spin a few more breeds!

A knitted hexagon in cream-colored yarn, still on the needles, sits on a wooden table.
My Clun Forest blanket ‘square’.

For updates and special offers, please subscribe to my monthly newsletter. You will receive a code for 30% off any of my self-published patterns.

Processing…
Success! You're on the list.


Beach Pebbles Hat and Cowl

Beach Pebbles Hat and Cowl © Kerry Bullock-Ozkan

Introducing the Beach Pebbles Hat and Cowl. This set, like the Backshore Pullover, was inspired by my family’s trip two summers ago to the Great Lakes, where I grew up. On the trip I became fascinated with the Petoskey stones that can be found along Lake Michigan, and even found a couple. According to Wikipedia, Petoskey stones are a form of fossilized rugosa coral, Hexagonaria percarinata. The hexagon shapes of the knits and purls resemble the shapes of these fossils.

Petoskey Stone. © Kerry Bullock-Ozkan

This also gave me a perfect opportunity to use natural undyed wool for the design. Knit Picks Simply Wool Bulky comes in a range of natural grays and browns, and perfect for making a textural fabric. As much as I love yarns from my local farms, it’s nice to see an affordable eco-friendly undyed wool on the market.

Hat Crown. © Kerry Bullock-Ozkan

The Beach Pebbles pattern is available now in my Ravelry store, on LoveCrafts, and on Patternvine. The hat is written in two adult sizes, the cowl in one size, and is a quick knit suitable for an advanced beginner knitting, with both charted and written instructions.

Beach Pebbles Cowl. © Kerry Bullock-Ozkan

I‘m offering this pattern for a one-time introductory price of $2.50 until February 2nd, 2020.


Spinning Romney and Finn

It’s been awhile since I’ve talked about spinning different sheep breeds. I got distracted by my spinning wheel, the Tour de Fleece (which I participated in for the first time with Three Waters Farm), and learning to weave. Phew!

Last year I was given a 1970s-era Ashford Traditional wheel that needed some TLC, and I finally got it fixed up a couple of months ago (the main difficulty being a rusted out, stuck hub pin). Since then I’ve been creating yarn at a rather alarming rate, though as I’m rather new to wheel spinning I’m not as good as with my spindles yet. So I’ve also continued to do some sampling on my spindles, and I can now compare my spindle spun and wheel-spun samples with different breeds.

I’ve actually got a bit of a backlog I’d like to tell you about, but I’ll start with some Finn and Romney. First up is some Finn roving from Heelside Farms that I talked about spindle spinning in my first spinning post. Finns are a primitive breed, and I’ve been enamored of their wool since I discovered Tukuwool yarns, which are a blend of Finn with a bit of Texel. The yarns have a faint sheen and depth that makes the colors really beautiful.

I had around 4 oz of the Finn minus that bit for previous sampling, so it was the first fiber I tried out on my new-to-me wheel. I found it fairly easy to spin on both the spindle and the wheel. I plied the wheel-spun tighter, which will make for a sturdier yarn, but the more softly plied spindle-spun yarn is pleasantly squishy. I love the natural gray-brown color, and the wheel-spun yarn does have a slight sheen, even with the more woolen preparation (I did a short forward draft on the wheel).

Finn Roving. Left: spindle-spun. Right: wheel-spun.

The second is one I’ve just finished – some Romney lambswool that I bought at SAFF last year. I decided to try spinning this one on my dealgan, which I hadn’t had much success with before. This time I did manage to create yarn. The dealgan doesn’t spin for very long until you build up a bit of a cop, and some of my early singles didn’t have quite enough twist, so I had some breakage when I went to ply. But I spit-spliced the broken ends and soldiered on.

Romney lambswool on a dealgan

Romney isn’t the softest of wools – it’s intermediate between the fine wools and longwool breeds, though usually grouped with the longwools. Having said that, I have a garter-stitch shawl knitted in Romney from farms in the western part of my state (from the now-defunct Fern Fiber), and it’s one of my favorite knits of all time. The Romney is in a natural gray plus a gray overdyed with weld, and it has a beautiful sheen and depth of color. And the garter stitch makes it nicely squishy. So I was eager to try the lambswool.

Romney lambswool, spindle spun

I can’t say it was my favorite fiber to spin with, but as lambswool the Romney is reasonably soft, and the chocolate brown color is lovely. I’ve since knitted up a hat (the Ljós pattern by Ysolda Teague) using the Romney and Finn along with some white Targhee and Corriedale that I dyed with pomegranate rinds.

Colorwork hat knit with Romney, Finn, Targhee and Corriedale wools.

I’m starting to discover which sheep breads I like working with best, and I’ve also started working with blends and dyed rovings, which is a big subject in and of itself. Much more learning and experimenting to come!