Knits gifts now available

A teal and gray striped hat and mitts on a stone board lay on a bamboo mat. An evergreen bough sits to the left.
Icy Stripes Hat and Mitts. Photo courtesy of Interweave.

I’m excited to have both a pattern and a technique article (my first article!) in this year’s Interweave Knits: Gifts edition. The Icy Stripes Hat and Mitts pattern was inspired by two skeins of vintage Germantown worsted yarn that I found in a thrift shop. (If you don’t know the story behind the original Germantown yarns, you can read more in a Kelbourne Woolens’ blog post.) What better project for such a classic yarn than a classic striped hat and fingerless mitts! This hat and mitts are knitted in Blue Sky Fibers Woolstok Worsted, a deliciously soft and squishy 100% wool yarn.

The accompanying article covers two methods of knitting jogless one-row stripes in the round using helical knitting knitting techniques. You can purchase the individual pattern of the Icy Stripes Hat and Mitts or a digital edition of the magazine on the Interweave website.

Speaking of techniques, I’m planning a few technique posts here on the blog – on topics like how to memorize a cable pattern or how to choose colors for Fair Isle knitting. Stay tuned – and let me know what you’d like to see!

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Spinning Project Roundup

I confess I haven’t been knitting all that much lately. True, it’s summer in North Carolina, and some afternoons it’s just too hot to knit. But like many people in these COVID times, I haven’t been able to concentrate on the things that usually give me joy. I have, however, been doing a lot of spinning. There is something so fundamental about the rhythm of the spinning wheel (or spindle) that I have found comforting.

I’ve already written about my main Tour de Fleece project. I had a bit of time left after finishing my mini skeins, so I did some sampling on another Three Waters Farm colorway: Radicchio (also on the Polwarth/ silk base). I plan to use it for colorwork, but I wasn’t sure if I wanted a 2- or 3-ply yarn. So I took a third of the braid, which is one complete color sequence, and tried both a straight 2-ply and a chain-ply. I was pleasantly surprised that I managed to get the colors to line up so well in the 2-ply, and I like the way they reflect the light more than the chain-ply, so I think I will do the rest of the braid that way. First I want to swatch it to see if I’m happy with the length of the repeat.

Two small skeins of handspun yarn in shades of pink, turquoise and gold on a concrete and brick step.
Handspun Polwarth/ silk yarn from Three Waters Farm in colorway Radicchio. On the left is the straight 2-pym on the right the chain ply.

I’ve also completed my first Shave ‘Em to Save ‘Em project, which I shared on Instagram. I bought Clun Forest roving from Left Hand Wool Company – you may recall I got my hands on some Clun Forest x Corriedale awhile back (I wrote about it here), and I really wanted to see how it compared to 100% Clun Forest. This is also my first time spinning a Down-type breed (Clun Forest isn’t one of the true Down breeds, but it has similar characteristics). This roving had the same spongy, springy quality as the Corriedale cross I had spun, but it’s less soft. It’s not prickly, though, and I think it will do nicely as socks. I plied it with a high twist with that purpose in mind – so much so that the finished yarn is a bit wavy. I’m confident that it will knit up okay, though. I’m also thinking of dyeing it using walnuts or other natural dyes I have available.

A skein of undyed cream-colored Clun Forest yarn sits on a wood table.
The finished Clun Forest sock yarn.

Before starting the sock yarn, I also took a portion of the roving and spun it a bit thicker for my blanket project and knit it up into a hexagon. I’ve got 10 hexagons so far, representing 9 different sheep breeds (I’ve used Corriedale with two different natural dyes; the rest are undyed.) I figure I need at least 24 hexagon pieces to make a small blanket, so I need to spin a few more breeds!

A knitted hexagon in cream-colored yarn, still on the needles, sits on a wooden table.
My Clun Forest blanket ‘square’.

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Thoughts on Inclusion in the Knitting Community

There have been multiple conversations happening recently around inclusion in the knitting world, and I wanted to write my thoughts about these conversations in one place. It’s probably overdue, but it’s given me a chance to really think through all of the issues that are being discussed.

My core values as a business are sustainability, community, and integrity, and I want to talk about what those mean to me.

Sustainability

I have been concerned about environmental impact for a long time. Before starting this business I worked as an environmental engineer, and my concern about fast fashion is one of the reasons I started making many of my own clothes.

As a designer sustainability to me means, first and foremost, designing for longevity. I want you to knit a garment that will last, and that is modern and fresh but still timeless enough not to be cast aside when the next trend comes along. It also means using natural, low impact materials as much as possible. It does not mean following a certain design aesthetic. I also love to knit with yarns that are local to me and have knit myself two sweaters using only yarns available from a local farm. I am an active member of the Piedmont Fibershed, which seeks to support an equitable, local fiber economy in my region. I am exploring ways to use more local fibers in my designs while allowing for a yarn selection that is locally available to the knitter.

It’s true that sustainable materials can cost more because they reflect the true cost of manufacturing and fair labor standards. However, I do design patterns using yarns at a variety of price points that I feel are going to stand up well. I always give full yardage information and yarn content and characteristics in my patterns, and my test knitters use a range of yarns in their projects. I also give yardage information so that you don’t end up buying significantly more yarn than you need for the project, another way of making knitting more sustainable – just keep in mind that yardage requirements are estimates and may vary depending on the yarn chosen and how you knit.

Community

I unequivocally believe in a community where everyone is welcome. While I have been in engaged in anti-racist learning and action personally over the past several years, as a white woman whose sole employee is me, and who doesn’t yet have a large audience or platform, it’s tempting to sit back and dream about what I can do once my business grows. But the thing is, I already support small, local and independent businesses whenever I can. And I can do more to support independent BIPOC-owned businesses. I am currently auditing where I spend my dollars and looking for ways to align my spending with my values. And I can look for collaborations that support those businesses and makers too. I also am committed to giving a percentage of my income back to the community, and I’m making it a priority to shift my support to organizations that are run by the communities they serve.

Size Inclusivity

All of my independently published garment designs are sized to fit at least a 30-60 inch bust measurement, and I am continually working on improving my sizing. If you’d like to help with that please participate in my test knits! I will commit to working with you on any issues that arise so that you come away with a garment that you’re happy with.

Accessibilty

To tell you the truth, this is an area I am still learning about. I am looking into making my patterns, as well as my website and social media, more accessible. I do work hard to write my patterns clearly and succinctly so they are easy to follow for as many knitters as possible. I offer directions in both charted and written form where it is useful, and going forward I plan to include symbols as well as colors in my colorwork charts so they are easier to read and can be printed in black and white. Since Ravelry’s new design has made it inaccessible to many, I am working on making more of my knitting patterns available on Etsy, in both print and digital format, and most of my independently published patterns are already available on the LoveCrafts website. You can find links to those sources on my front page.

Integrity

I chose to go into business for myself because I wanted my work to align with my life and my values, and to truly reflect who I am in the world. All of this is a work in progress, and I’m not claiming to do any of it perfectly. I do commit to continuing to work toward the kind of fiber community I want to see, and to be accountable in my work.

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Eight skeins of solid-colored Polwarth/ silk yarn in various colors

Tour de Fleece Spinning

This year I joined the Three Waters Farm Tour de Fleece team for the second time. I decided to spin the braid of the Mountain’s Edge colorway on Polwarth/ Silk from my stash. Until now I’ve been somewhat intimidated by hand dyed braids (if you’ve been following me you’ll notice I spin a lot of undyed roving and top), but I decided to get a bit adventurous this time.

A braid of handyed fiber in shades of teal, purple, yellow and brown.
Mountain’s Edge on 85% Polwarth/ 15% silk from Three Waters Farm

Much as I love to look at beautiful hand-dyed fiber, I don’t really knit with variegated yarns all that much. I’m not one for gradient or self-striping yarns, except for sock knitting. I guess I’m too much of a control freak – I like to have control over the color changes. So I decided to break down the braid and spin mini skeins to use in colorwork knitting. When I broke down the braid, I ended up with sections where two colors were mixed, and so I was inspired to try a bit of color mixing with my handcards. I was inspired by an article in Spin Off last summer (?) [Spin Off article] about creating tweed yarns.

I grouped my leftover sections into three piles: teal/ purple , teal/ yellow, and purple/ gray/ white. I used my handcards to blend those sections as evenly as I could, then removed them from the cards (without forming rolags, so the fibers were still somewhat directional) and did a bit more blending by hand as I formed the fibers into a loose roving. I didn’t get a great picture, but you can see my roving in the photo below.

Nests of blended, dyed roving.
Blended Rovings

And here are the resulting yarns. At the top you can see the full set of mini skeins from this braid.

Three mini skeins of handspun yarn in blue, yellow and lavender.
The resulting blended yarns

I think the blends turned out beautifully, and I can envision combining the skeins in any number of ways for colorwork. I spun them into a fingering weight (the Polwarth did fluff up a bit after washing), and with the sheen from the silk these will combine wonderfully with one of my favorite colorwork yarns, Tukuwool fingering. In fact, I’m thinking my first project will be to use the blue blend, and maybe a bit of the yellow or green, in a cardigan I’ve been planning for my niece.

Photo of a childs cardigan pattern next to three skeins of yarn.

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Spinning from Raw Fleece

Last year while visiting my aunt in Saskatchewan I purchased a few ounces of raw fleece from a local yarn shop. This was my first time working with raw fleece, and I never got around to sharing my experience. The fleece is a Clun Forest/ Corriedale cross, and since I hadn’t worked with Clun Forest before, I decided to buy a few ounces as a souvenir. I’m not sure how much the characteristics of this fleece resemble pure Clun Forest, but I’ve recently purchased some Clun Forest Roving for one of my Shave ‘Em to Save ‘Em projects, and both have a certain spongy quality that is different than other wool types I’ve encountered.

My first adventure was figuring out how to get my purchase across the border. I learned that it is legal to send fleece across the border, but decided to mail the fleece home in case the TSA agents weren’t aware of this fact. I figured the postal inspectors know what they’re doing, but I was still a little bit nervous about it being confiscated.

Raw Clun Forest x Corriedale fleece

The fleece did arrive in the mail, however, and I set about washing and drying it. There was a fair bit of dirt and VM in the fleece, so I went through several soakings in plain water after the initial scouring with mild soap (I used Dr. Bronner’s unscented formula).

Washing the fleece
Locks post-washing

Once dried I decided to process the locks with my flick-carder. About half the fleece was leftover from this process, so I hand carded it to spin separately. I was finding it difficult to manage a short-forward draft, so after a bit of experimentation I settled on long-draw, which I used for both the flicked locks and the carded fleece.

A single lock
The final skeins. (L) Flick-carded, undyed. (R) Hand carded, dyed with avocado pits.

I’m pretty pleased with the finished result. The carded fleece had a few neps in it and so is a bit more irregular. The flick-carded yarn is fairly even and pleasantly bouncy, and the yarn took the dye well. I’m looking forward to spinning the Clun Forest roving I’ve bought so I can compare the two.

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